She rejects Wes, having previously had a night of sexy fun together. At the club already Kelly finds herself accosted by the creeper Wes (Gavin Stenhouse) again, as people start flooding in to dance and drink and party all over again. She goes back to the trusty ole stuff she wore last time. We skip to one week later, as Yorkie dresses, listening to mixtapes of ’80s music and posing in the mirror. Yorkie has a semi-romantic encounter with Kelly, then rushes off into the night. She’s like a foreigner in a distant land, unaware of the customs, the culture. When the ladies step on the dance floor things feel strange, almost robotic and choreographed. Kelly admires Yorkie’s “ authentic” look and that other people are only imitating what they think they should look like, not how they want. The ladies chat and get to know one another. Anyways, Yorkie and Kelly go have a bit of fun, a few drinks, in the background The Bangles ring loud through the club speakers. He talks about last week, et cetera, and it seems like this place it’s… temporary. This is only proved more when a woman named Kelly (Gugu Mbatha-Raw) uses Yorkie to help her out with a lurking dude. What does that mean: a simple social term, or a more broad meaning? I bet the latter. A fellow nerd talks her up, but she replies she needs to get her “ bearings” for the place. She doesn’t exactly look like she belongs, though pushes on through the crowd as the rock to old tunes, some play arcade games – and that’s exactly where Yorkie ends up, playing Bubble Bobble. ![]() ![]() Everywhere around her people seem to be having fun. She stops in front of a bunch of TVs playing Max Headroom. ![]() In the 1980s, or somewhere reminiscent of it, Yorkie (Mackenzie Davis) wanders a city. * For a review of Episode 5, “Men Against Fire” – click here * For a review of Episode 3, “Shut Up and Dance” – click here click here
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